{"id":17,"date":"2026-07-12T10:00:00","date_gmt":"2026-07-12T13:00:00","guid":{"rendered":"https:\/\/fox.withemes.com\/wild\/2021\/12\/17\/periculis-id-eligendi-convenire-usu-ius-numquam\/"},"modified":"2026-07-11T12:31:44","modified_gmt":"2026-07-11T15:31:44","slug":"yago-moreira","status":"publish","type":"post","link":"https:\/\/908magazine.com.br\/en\/yago-moreira\/","title":{"rendered":"yago moreira"},"content":{"rendered":"

Publicados em seu fotolivro intitulado Aurora<\/em>, momento do dia em que a luz vence a escurid\u00e3o, os retratos de Yago Moreira representam a vida como ela deveria ser: vivida a cada nova alvorada. O artista captura corpos e seus fragmentos que pulsam em um desejo de liberdade e ruptura com o que est\u00e1 estabelecido. Suas fotografias bailam sem que percebam limites. Reside nelas uma coreografia de um corpo insubmisso, rebelde, desobediente. H\u00e1 uma rela\u00e7\u00e3o de confian\u00e7a entre as personagens fotografadas e o artista fot\u00f3grafo, marcada por essa coreografia sem destino, sem borda, que se entrega e se joga de olhos fechados, conforme se observa nos registros.<\/p>\n\n\n\n

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Despite being made in the studio, the artist neutralizes him for his appreciation and dedication to printing techniques. It is from them that the play of light and shadow of Aurora becomes diffuse, almost as if he had taken the photographs in the natural light of a window. printed with historical, manual and delicate techniques of photographic making, such as cyanotype and bichromated gum, the tones of blue, pink, black, white and gray prevail, which give photographs this buzzing and infinite characteristic of the image space-time, which It extends and extends beyond what had been apprehended, as if the movements continued at a constant rhythm and a life of their own.<\/p>\n\n\n\n

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Taken between 2018 and 2024, mostly with dance artists, Moreira's photographs demonstrate their consistency and rigor in working, in the foreground, with the materiality of the body \u2014 the one who is under a regime of discipline and training \u2014 and which here wins Poetic shapes and contours when framed in an experimental or unconventional aesthetic.<\/p>\n\n\n\n

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I would like to propose to the readers to create their narratives and dialogues between the photographs shown here, but, first, point out some partial paths. The first and second photos have a horizontal shape and each one has a movement opposite to the other, as if the characters dance facing each other. Then we have a triptych that accompanies the development of a certain movement. In the sequence, two vertical photographs with the bodies moving to opposite sides, with similar bodily positions: one very well defined and the other almost a ghost. Would photography be the documentation of life by shedding light where until then there was only darkness?<\/p>\n\n\n\n

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Sobre o fot\u00f3grafo:
yago moreira<\/strong> \u00e9 fot\u00f3grafo e artista visual, membro do grupo de fot\u00f3grafos independentes Bulb f\/22. Seu trabalho se divide entre retratos em est\u00fadio, fotografia de rua e processos hist\u00f3ricos, como Cianotipia e Goma Bicromatada.<\/p>\n\n\n\n

Sobre a autora:
Uma Reis Sorrequia<\/strong> tem experi\u00eancia nos estudos e ensino de g\u00eanero, diferen\u00e7a, desvio e sexualidade; corpo, territ\u00f3rio, ecofeminismo e decolonialidade; e educa\u00e7\u00e3o, direitos humanos e travestilidades. \u00c9 licenciada em Geografia (UFSCar) e especialista em Gest\u00e3o de Diversidade e Inclus\u00e3o nas Organiza\u00e7\u00f5es (IEC\/PUC Minas).<\/p>\n\n\n\n

<\/p>","protected":false},"excerpt":{"rendered":"

Yago Moreira, fot\u00f3grafo e artista visual, membro do grupo de fot\u00f3grafos independentes Bulb f\/22. Divido meu trabalho fotogr\u00e1fico entre os retratos em est\u00fadio, fotografia de rua e processos hist\u00f3ricos do s\u00e9culo 19, como a Cianotipia e Goma Bicromatada.<\/p>","protected":false},"author":1,"featured_media":481,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[10,14,19,20,21],"class_list":["post-17","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-experimental","tag-art","tag-film","tag-politics","tag-tv","tag-wordpress"],"_links":{"self":[{"href":"https:\/\/908magazine.com.br\/en\/wp-json\/wp\/v2\/posts\/17","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/908magazine.com.br\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/908magazine.com.br\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/908magazine.com.br\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/908magazine.com.br\/en\/wp-json\/wp\/v2\/comments?post=17"}],"version-history":[{"count":29,"href":"https:\/\/908magazine.com.br\/en\/wp-json\/wp\/v2\/posts\/17\/revisions"}],"predecessor-version":[{"id":1552,"href":"https:\/\/908magazine.com.br\/en\/wp-json\/wp\/v2\/posts\/17\/revisions\/1552"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/908magazine.com.br\/en\/wp-json\/wp\/v2\/media\/481"}],"wp:attachment":[{"href":"https:\/\/908magazine.com.br\/en\/wp-json\/wp\/v2\/media?parent=17"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/908magazine.com.br\/en\/wp-json\/wp\/v2\/categories?post=17"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/908magazine.com.br\/en\/wp-json\/wp\/v2\/tags?post=17"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}