In this course, more than recording the environment, light and shadow are no longer just technical or aesthetic resources to guide the perception of each scene. Photography directs attention to objects and situations that, in the daily life of these spaces, tend to go unnoticed.<\/p>\n\n\n\n
In photographic series, images traditionally connect by elements such as framing, shape or theme. In Pivas' work, this articulation gains an additional layer by moving the gaze towards the abstract.<\/p>\n\n\n\n
On the whole, there are photographs that approach abstraction by making it difficult to immediately recognize the scene. In one of them, metallic surfaces reflect the fair's awning and fragment the image into planes of color and light, making the objects almost unrecognizable. Only in a second look it is perceived that it is the knives that make up the painting. In another photograph, excess operates in reverse: a religious figure stamped on a t-shirt overlaps with vibrant patterns and transported objects, creating a juxtaposition that defies reading.<\/p>\n\n\n\n Although the use of chiaroscuro, a technique originating from the Renaissance, is recurrent in photography and cinema to create volume and drama, here it assumes a new function: it creates cutouts, suggests shapes and transforms the shadow itself into an internal frame to the image. This is evident in the records of awnings and stacked boxes, where unknown faces are highlighted.<\/p>\n\n\n\n By moving away from direct capture, Pivas challenges the limits of street photography by refusing the immediate and easily readable image. Its series bets on ambiguity and, although it sometimes privileges the form to the detriment of the referent, the work expands its sensory dimension. An atmosphere marked by the overlapping of fabrics, games of colors, silhouettes and textures that transport the viewer into the scenario is built.<\/p>\n\n\n\n Finally, the recurrence of symmetrical structures intensifies the visual impact. It is in this economy of gestures and in the precision of the records that the series finds its strength, affirming itself as a sensitive work on perception, daydreaming and revelation.<\/p>\n\n\n\n Sobre a autora: <\/p>","protected":false},"excerpt":{"rendered":" A s\u00e9rie Entre Sombras, Encontro Luz, de Rodrigo Pivas, re\u00fane imagens produzidas entre 2021 e 2022 em feiras livres da capital paulista. A obra apresenta uma narrativa que conduz o olhar por um cen\u00e1rio marcado pela diversidade, no qual sons, cores e movimentos rompem o fluxo habitual da cidade. Nesse percurso, mais do que registrar o ambiente, luz e sombra deixam de ser apenas recursos t\u00e9cnicos ou est\u00e9ticos para orientar a percep\u00e7\u00e3o de cada cena. A fotografia direciona a aten\u00e7\u00e3o para objetos e situa\u00e7\u00f5es que, no cotidiano desses espa\u00e7os, costumam passar despercebidos. Em s\u00e9ries fotogr\u00e1ficas, as imagens tradicionalmente se conectam<\/p>","protected":false},"author":1,"featured_media":716,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[30],"tags":[10,12,14,16,17],"class_list":["post-13","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-rua","tag-art","tag-culture","tag-film","tag-music","tag-news"],"_links":{"self":[{"href":"https:\/\/908magazine.com.br\/en\/wp-json\/wp\/v2\/posts\/13","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/908magazine.com.br\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/908magazine.com.br\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/908magazine.com.br\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/908magazine.com.br\/en\/wp-json\/wp\/v2\/comments?post=13"}],"version-history":[{"count":41,"href":"https:\/\/908magazine.com.br\/en\/wp-json\/wp\/v2\/posts\/13\/revisions"}],"predecessor-version":[{"id":1548,"href":"https:\/\/908magazine.com.br\/en\/wp-json\/wp\/v2\/posts\/13\/revisions\/1548"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/908magazine.com.br\/en\/wp-json\/wp\/v2\/media\/716"}],"wp:attachment":[{"href":"https:\/\/908magazine.com.br\/en\/wp-json\/wp\/v2\/media?parent=13"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/908magazine.com.br\/en\/wp-json\/wp\/v2\/categories?post=13"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/908magazine.com.br\/en\/wp-json\/wp\/v2\/tags?post=13"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}![\"\"](\"https:\/\/908magazine.com.br\/wp-content\/uploads\/2026\/01\/Rodrigo-Pivas_01.jpg\")
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Sobre o fot\u00f3grafo:
Rodrigos Pivas<\/strong> \u00e9 fot\u00f3grafo paulistano, com forma\u00e7\u00e3o em Fotografia e V\u00eddeo pelo Senac-SP. Sua pesquisa autoral articula a rela\u00e7\u00e3o entre indiv\u00edduo, espa\u00e7o urbano e cultura popular.<\/p>\n\n\n\n
Jane Gomes<\/strong> \u00e9 jornalista e profissional de comunica\u00e7\u00e3o. Dedica-se aos estudos em Hist\u00f3ria da Arte e desenvolve trabalhos em fotografia e curadoria.<\/p>\n\n\n\n